WASHINGTON, D.C. — The figure known today as Cupid, the winged, arrow-wielding embodiment of romantic desire, has undergone one of the most dramatic visual and conceptual transformations in the history of Western art, reflecting fundamental shifts in how societies define love, sexuality, and spirituality over three millennia. What began in ancient Greece as a fearsome, primordial deity influencing cosmic creation evolved through Roman adoption into a mischievous adolescent, culminating in the familiar, plump cherub of modern popular culture.
From Cosmic Force to Classical God
Cupid finds his origins in Greek mythology as Eros. Early cosmological texts depicted Eros not as a playful god, but as an elemental force emerging from Chaos, essential for universal order and union. This primal Eros represented the fundamental drive toward existence. By the Classical period (5th–4th centuries BCE), the depiction softened; Eros became the son of Aphrodite, the goddess of love, often paired with Ares, the god of war, symbolizing the volatile mix of passion and conflict. In Greek sculpture, Eros was typically rendered as a handsome, athletic youth with wings, carrying a bow capable of inciting inescapable desire.
The transition to Cupid occurred when Roman culture absorbed Greek mythology. Taking the Latin word cupido (“desire”), the Romans initially maintained the Greek characterization but gradually embraced a more innocent, youthful appearance. This softening was cemented by the enduring Roman-era tale of Cupid and Psyche, documented by Apuleius in the 2nd century CE. This narrative, detailing the immortal god’s love for a mortal woman and the soul’s journey (Psyche) toward divine reconciliation, became a definitive artistic touchstone.
Artistic Rediscovery and Symbolism
The visual evolution accelerated during the Hellenistic period (323–31 BCE), when artists began depicting Eros as increasingly younger, leading to the chubby infant figures, or putti (the plural of putto), frequently seen in frescoes and mosaics.
During the European Middle Ages, Cupid’s imagery was suppressed due to the Church’s suspicion of classical paganism and carnal desire, though he persisted in allegorical manuscripts, sometimes blindfolded to symbolize love’s irrationality.
The Renaissance marked a triumphant return, reviving Cupid as a central figure in mythological painting. Artists such as Sandro Botticelli fused classical imagery with Neoplatonic philosophy, portraying the god as a catalyst for divine elevation. The Baroque era (1600–1750) injected drama and sensuality, exemplified by Caravaggio’s provocative Amor Victorious (1602), which asserted love’s dominance over all human endeavors.
The 18th-century Rococo period embraced Cupid’s lighter side, turning him into a decorative, playful cherub in the works of artists like François Boucher, signifying aristocratic pleasure. This frivolous characterization provoked the Neoclassical movement, which returned to classical restraint. Antonio Canova’s sculpture, Psyche Revived by Cupid’s Kiss (1787–1793), perfectly embodied this shift, showing high moral sentiment and classical ideals.
A Modern Commercial Icon
As the 19th century progressed, mythological subjects waned under the rise of modernism. By the Victorian era, Cupid, while still appearing in technically proficient academic works, increasingly became divorced from serious artistic engagement.
The 20th and 21st centuries cemented Cupid’s transformation into a commercial symbol, largely associated with Valentine’s Day. Contemporary artists rarely treat the figure with the philosophical depth of their Renaissance predecessors, instead employing Cupid—sometimes ironically or subversively, as seen in the work of street artist Banksy—to critique modern consumerism and romantic clichés.
Throughout his shifting identity, Cupid’s core attributes have remained potent: the bow and arrows, symbolizing the sudden, unavoidable strike of desire; the wings, representing love’s swiftness; and, since the medieval era, the blindfold, signifying love’s irrationality.
The enduring popularity of the Cupid figure demonstrates the power of ancient symbolism to adapt across cultural and artistic epochs, offering insight into humanity’s persistent and complicated relationship with the concept of desire.